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1
00 - Preface and Introduction
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2
01 - Music among the Ancient Egyptians
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3
02 - Music among the Hebrews and Assyrians
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4
03 - Music among the Ancient Greeks
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5
04 - Music in India, China and Japan
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6
05 - The Nature of the Transformatin and the Agencies Effecting It
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7
06 - The Minstrels of the North
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8
07 - The Arabs or Saracens
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9
08 - Origin of the Great French Epics
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10
09 - The Troubadours, Trouvères and Minnesingers
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11
10 - The Influence of the Christian Church
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12
11 - The Didactic of Music from the Fifth Century to the Fourteenth
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13
12 - The Rise of Polyphony. Old French and Gallo-Belgic Schools.
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14
13 - The Schools of the Netherlands
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15
14 - Polyphonic Schools of Italy. Palestrina
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16
15 - The Changes in Musical Notation
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17
16 - Musical Instruments. The Violin, Organ, Etc.
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18
17 - Condition of Music at the Beginning of the Seventeenth Century
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19
18 - First Century of Italian Opera and Dramatic Song
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20
19 - Beginnings of Opera in France and Germany
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21
20 - The Progress of Oratorio
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22
21 - Beginnings of Instrumental Music
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23
22 - General View of Music in the Eighteenth Century
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24
23 - John Sebastian Bach
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25
24 - Geo. Frederick Handel
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26
25 - Emanuel Bach; Haydn; the Sonata
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27
26 - Mozart and His Genius
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28
27 - Beethoven and his Works
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29
28 - Haydn, Mozart and Beethoven Compared
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30
29 - Opera in the Eighteenth Century
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31
30 - Piano Playing and Virtuosi; the Violin; Tartini and Spohr
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32
31 - The Nineteenth Century, the Romantic; Music of the Future
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33
32 - Schubert and the Romantic
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34
33 - The Story of the Pianoforte
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35
34 - German Opera; Weber, Meyerbeer and Wagner
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36
35 - Virtuosity in the Nineteenth Century; Paganini; Berlioz; Chopin; Liszt
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37
36 - Mendelssohn and Schumann
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38
37 - Italian Opera During the Nineteenth Century
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39
38 - French Operatic Composers of the Nineteenth Century
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40
39 - Later Composers and Performers