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1
00 - Introduction
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2
01 - Intuition and Expression
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3
02 - Intuition and Art
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4
03 - Art and Philosophy
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5
04 - Historicism and Intellectualism in Aesthetic
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6
05 - Analogous Errors in Historic and in Logic
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7
06 - Theoretic and Practical Activity
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8
07 - Analogy Between the Theoretic and the Practical
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9
08 - Exclusion of Other Spiritual Forms
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10
09 - Indivisibility of Expression into Modes or Grades and Critique of Rhetoric
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11
10 - Aesthetic Feelings and the Distinction between the Beautiful and the Ugly
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12
11 - Critique of Aesthetic Hedonism
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13
12 - The Aesthetic of the Sympathetic and Pseudo-Aesthetic Concepts
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14
13 - The So-Called Physically Beautiful in Nature and in Art
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15
14 - Errors Arising from the Confusion between Physic and Aesthetic
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16
15 - The Activity of Externalization. Technique and the Theory of the Arts
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17
16 - Taste and the Reproduction of Art
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18
17 - The History of Literature and of Art
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19
18 - Conclusion: Identity of Linguistic and Aesthetic
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20
19 - Historical Summary, Part 1
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21
20 - Historical Summary, Part 2
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22
21 - Historical Summary, Part 3
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23
22 - Historical Summary, Part 4
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24
23 - Historical Summary, Part 5
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25
24 - Historical Summary, Part 6
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26
25 - Historical Summary, Part 7
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27
26 - Historical Summary, Part 8
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28
27 - Appendix, Part 1
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29
28 - Appendix, Part 2
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30
29 - Appendix, Part 3