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00 - DEDICATION AND A WORD FROM THE DIRECTOR OF THE DENVER ART ASSOCIATION
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01 - BOOK I - THE GENERAL PHOTOPLAY SITUATION IN AMERICA, JANUARY 1, 1922
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02 - BOOK II - THE UNCHALLENGED OUTLINE OF PHOTOPLAY CRITICAL METHOD / CHAPTER I - THE POINT OF VIEW
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03 - CHAPTER II - THE PHOTOPLAY OF ACTION
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04 - CHAPTER III - THE INTIMATE PHOTOPLAY
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05 - CHAPTER IV - THE MOTION PICTURE OF FAIRY SPLENDOR
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06 - CHAPTER V - THE PICTURE OF CROWD SPLENDOR
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07 - CHAPTER VI - PATRIOTIC SPLENDOR
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08 - CHAPTER VII - RELIGIOUS SPLENDOR
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09 - CHAPTER VIII - SCULPTURE-IN-MOTION
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10 - CHAPTER IX - PAINTING-IN-MOTION
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11 - CHAPTER X - FURNITURE, TRAPPINGS, AND INVENTIONS IN MOTION
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12 - CHAPTER XI - ARCHITECTURE-IN-MOTION
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13 - CHAPTER XII - THIRTY DIFFERENCES BETWEEN THE PHOTOPLAYS AND THE STAGE
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14 - CHAPTER XIII - HIEROGLYPHICS
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15 - BOOK III - MORE PERSONAL SPECULATIONS AND AFTERTHOUGHTS NOT BROUGHT FORWARD SO DOGMATICALLY / CHAPTER XIV - THE ORCHESTRA, CONVERSATION, AND THE CENSORSHIP
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16 - CHAPTER XV - THE SUBSTITUTE FOR THE SALOON
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17 - CHAPTER XVI - CALIFORNIA AND AMERICA
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18 - CHAPTER XVII - PROGRESS AND ENDOWMENT
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19 - CHAPTER XVIII - ARCHITECTS AS CRUSADERS
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20 - CHAPTER XIX - ON COMING FORTH BY DAY
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21 - CHAPTER XX - THE PROPHET-WIZARD
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22 - CHAPTER XXI - THE ACCEPTABLE YEAR OF THE LORD