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Theory of Colours

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01 - Translator's Preface and Preface to the First Edition

Tác giả: Johann Wolfgang von Goethe

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1
01 - Translator's Preface and Preface to the First Edition
2
02 - Introduction
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03 - Part I - Physiological Colours Section 1 - Effects of Light and Dark on the Eye
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04 - Section II - Effects of Black and White Objects on the Eye
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05 - Section III - Grey Surfaces and Objects; Section IV - Dazzling Colourless Objects
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06 - Section V - Coloured Objects
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07 - Section VI - Coloured Shadows
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08 - Section VII - Faint Lights; Section VIII - Subjective Halos
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09 - Pathological Colours - Appendix
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10 - Part 2 - Physical Colours - Section IX - Diotropical Colours
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11 - Section X - Diotropical Colours of the First Class
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12 - Section XI - Diotropical Colours of the Second Class - Refraction
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13 - Subjective Experiments - Section XII - Refraction Without the Appearance of Colour; Section XIII - Conditions of the Appearance of Colour
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14 - Section XIV - Conditions Under Which the Appearance of Colour Increases
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15 - Section XV - Explanation of the Foregoing Phenomena
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16 - Section XVI - Decrease of the Appearance of Colour; Section XVII - Grey Objects Displaced by Refraction
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17 - Section XVIII - Coloured Objects Displaced by Refraction
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18 - Section XIX - Achromatism and Hyperchromatism; Section XX - Advantages of Subjective Experiments. - Transition to the Objective
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19 - Objective Experiments - Section XXI - Refraction Without the Appearance of Colour; Section XXII - Conditions of the Appearance of Colour
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20 - Section XXIII - Conditions of the Increase of Colour; Section XXIV - Explanation of the Foregoing Phenomena
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21 - Section XXV - Decrease of the Appearance of Colour; Section XXVI - Grey Objects ; Section XXVII - Coloured Objects; Section XXVIII - Achromatism and Hyperchromatism
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22 - Section XXIX - Combination of Subjective and Objective Experiments; Section XXX - Transition
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23 - Section XXXI - Catatropical Colours
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24 - Section XXXII - Paroptical Colours
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25 - Section XXXIII - Epoptical Colours
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26 - Part III - Chemical Colours - Section XXXIV - Chemical Contrast
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27 - Section XXXV - White; Section XXXVI - Black; Section XXXVII - First Excitation of Colour
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28 - Section XXXVIII - Augmentation of Colour; Section XXXIX - Culmination; Section XL - Fluctuation; Section XLI - Passage Through the Whole Scale
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29 - Section XLII - Inversion; Section XLIII - Fixation; Section XLIV - Intermixture, Real; Section XLV - Intermixture, Apparent
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30 - Section XLVI - Communication, Actual; Section XLVII - Communication, Apparent
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31 - Section XLVIII - Extraction; Section XLIX - Nomenclature
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32 - Section L - Minerals; Section LI - Plants
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33 - Section LII - Worms, Insects, Fishes; Section LIII - Birds
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34 - Section LIV - Mammalia and Human Beings
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35 - Section LV - Physical and Chemical Effects of the Transmission of Light Through Coloured Mediums; Section LVI - Chemical Effect in Dioptrical Achromatism;
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36 - Part IV - General Characteristics
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37 - Part V - Relation to Other Pursuits
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38 - Part VI - Effect of Colour With Reference to Moral Associations; Yellow; Red-Yellow; Yellow-Red; Blue; Red-Blue; Red; Green
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39 - Completeness and Harmony; Yellow and Blue; Yellow and Red; Blue and Red; Yellow-Red and Blue-Red; Combinations Non-Characteristic; Relations of the Combinations to Light and Dark; Considerations Derived from the Evidence of Experience and History
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40 - Aesthetic Influence; Chiaro-Scuro; Tendency to Colour; Keeping; Colour in General Nature; Characteristic Colouring
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41 - Harmonious Colouring; Genuine Tone; False Tone; Weak Colouring; The Motley; Dread of Theory; Ultimate Aim; Grounds; Pigments
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42 - Allegorical, Symbolic, Mystical Application of Color; Concluding Observations